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Anne Brontë

  1. Spine number 01

    Poems by Currer, Ellis, and Acton Bell

    The three Brontë sisters bring together imagined lives, landscapes and reflections on belief and loss. Anne’s twenty-one contributions, signed Acton Bell, include The Doubter’s Prayer and Lines Composed in a Wood on a Windy Day, setting religious uncertainty beside the exhilaration of the natural world. Published in 1846, this entry represents the whole shared volume; its combination of fictional speakers and reflective verse accounts for its mixed classification.

    1846 · collection · Fiction & non-fiction · Collaboration

  2. Spine number 02

    Agnes Grey

    Determined to help her family after a financial loss, Agnes Grey takes work as a governess and discovers how little authority her employers allow her. Her account of unruly pupils, social humiliation and the search for companionship combines a restrained voice with sharp observations of class and cruelty. Drawing on Brontë’s own employment, the novel first appeared in 1847 as the third volume of the set that also introduced Emily Brontë’s Wuthering Heights.

    1847 · book · Fiction

  3. Spine number 03

    The Tenant of Wildfell Hall

    When Helen Graham arrives at Wildfell Hall with her young son, her guarded independence attracts both a neighbour’s interest and village suspicion. Letters and a diary gradually bring her own account into a story about marriage, drinking and the limits placed on women’s choices. Published in 1848 under the name Acton Bell, Brontë’s second novel asks readers to look beyond gossip and the appeal of a charming manner.

    1848 · book · Fiction

  4. Spine number 04

    The Complete Poems of Anne Brontë

    Imagined lovers and exiles share this collection with poems of homesickness, spiritual doubt and endurance. Its fictional voices and devotional reflections offer a wider view of Brontë’s poetry than the selection published during her lifetime. This entry represents Clement Shorter’s posthumous 1920 collected edition, with a bibliographical introduction by C. W. Hatfield, bringing together verse previously printed in the 1846 shared volume and later publications.

    1920 · collection · Fiction & non-fiction · Posthumous